I had no idea I was that obviously shaky. He read my nervousness from behind.
That instant readability of inner to outer state, from emotion. to muscle to action, the physical expression is so desirable
but often unattainable on stage. Actors long for it. Meyerhold called it 'reflex excitability'. It makes a performer magnetic. Michael Chekhov wrote a book about it
But in real life its fools gold, Its perturbing, embarrasing,